About this site
Tumbang Preso (meaning, knock down the jail) is a game of arrests and escapes where each player's life
chances depends on the toppling of a tin can watched by a tag who plays guard.
chances depends on the toppling of a tin can watched by a tag who plays guard.
Thursday, March 4, 2010
I do not write loneliness
I do not write poems. Not with the directness of the sun in any desert. Not with their scorching absolutes; their blinding truths. I shut my mind in. There in the dark where I will not be found out. No laser beams to shine on my ugly sides. The gnarled roots of my existence: dried remains of a carcass that was once my body. The same one that was once possessed of a heart and a brain pecked on by vultures wearing the clothes of friends.
Of lovers I have no memory. Only strangers come to lounge at my table and bed for rest and conversation. Strangers who, content, then discontented, went back to spouses children dogs estates.
There would be mornings when the mirror reflected a pretty thing. Tall. A surprised look upon her face. A shimmer on her hair, curly behind the ear and cropped just so and ever undone. The skin glittering soft. Too thin too young to look all those lived years. The long bitter days. It was just the right amount of light coming in through all the windows. The same sunlight would by and by cut through the same face and breasts and bleed the hand at the table and all the unguarded places.
I no longer hold my life any more precious than I would the fishwife’s next door. Her eyes! Popping out of their sockets as she stands sideways to watch me scratch dirt. Bent on the low stool I made. Knees apart. Splayed toes crawling out of hiding. Dibble in hand. Wedging in thin stalks of sweet potato into cement-laden earth.
There would be salvaged lines yet. A long time hence when the bones shall have crumbled into dust. For now I hold soil reclaimed from among packed sand and gravel layered over clay. Boon and bane of the reconstruction years when cavalries of revolutionists subdivided into couples and families and moved into apportioned lots and corners the size of a cow’s dunghill. Fenced in. Gates grating as people sneak in and out of each other’s lives.
I converse with cats and fishwives. Sneaks from hell! This one, come lately, is starchy with gossip. She likes to stand askance as I crouch hacking at the coconut with a bolo she walked the roundabout way from her kitchen to my side of the fence to lend. On other days I would have wielded a cleaver at her face like she were finished cadaver. That she is. But today I let her have her way. Look the terror that she felt as I whacked and cracked open the shell in the palm of my hand to reveal before her staring eyes and open mouth not the hoped-for-milk but rotting flesh. It spilled through my fingers like pus on a leper’s stump alive with worms. The same godforsaken nut the househelp back of my fence threw into my debris-laden garden. She must have been told by that hereabouts what they cannot eat up as young meat is salvaged to be squeezed dry for milk.
The couple she serves are second-lifer Catholics. Their two children in private schools. In their youth they tracked mountain trails tubao-strapped, knapsacks on their backs. Told the peasants the story of The Foolish Old Man. Taught the students about the life of Norman Bethune. Their kitchen window my unwalled fence curtained and screened from where noises rise on early mornings without sleep. The clatter of cups and dishes wake me on days without coffee or bread, their own hunger days of corn grits and cassava tops dipped in vinegar and salt now riverbeds away. A gauntlet to keep poverty off their children’s way. Their days at the barricades and the purge they escaped a closed book unfit for the young to read like men’s magazines hidden in the attic or kept under the bed. The clip-clopping of my typewriter’s keys and the heavy falls of books on the floor horsehooves and gunshots warping their time zone.
Their goodly neighbor has a son whose father they hid from her. She was a contemporary, a Gabriela cadre once now making a living balancing checkbooks and padding cash receipts for multi-donor NGOs peddling peace. Her brother she would like me to marry. Ask him to sleep in your bed on days that you’re away, she liked to tell me, better to keep the house safe and you have free-service security! The brother himself thought so well of himself by me having been asked once to fix my door and bedroom window for a cup of coffee and a little fee. He mistook my wood-hacking ways as female industry soliciting male company. She herself must have thought he was more than good enough. Could strum the guitar and belt out a Don McLean on top of his peasant origins, just like me, to say nothing of his time with the people’s army. It was an honor otherwise well-bestowed, I being by then a has-been writer-activist whose last caller was a taxi-conveyed married-looking fag with a grocery bag.
Why don’t you sleep with your pathetic brother? I found courage to say to her one day. Her chicken eyes blinked at me, only then suspecting butchery. Now she wouldn’t part with a hundred and would rather ask her househelp to trust me to repay a pinch from their laundry money. Some mornings of digging dirt her brother would perch atop their evergrowing fence to heckle me with spittle. Pthwak! went his sticky charge. He would spit every after looking my way.
I hack and stab at buried rocks.
I saw you at a party. You stretched there
like a cat, all sinews, your laugh
Skyward, the garden a kingdom captured.
“I do have summer affairs,” you proclaimed,
In answer to a query about your years.
I saw vermillions flying. Houses crumbled.
Churches keeled over. Your brother looked at me.
He took us to his new house. You monk-like
Heading the procession. The ladies did their number,
Gushing here, pointing there. We trooped to
His bedroom upstairs, candles in hand
The canopied bed lying white and speckless
In the middle of everything. With no doors to lock
And no walls to turn to after making love.
I saw a woman going mad. Hiding among legless gowns
Hanging in the cupboard spiked with shoes.
I saw her counting abacus at the study table with no books.
I saw you kissing your sister-in-law. Your white
Little fingers on the side of her face, your lips
An inch away from her mouth. I saw her turn
Tender. Saw in her moonface the spread of a thigh.
Poet. Everybody calls you a poet.
And you can’t even get out of those your little feet!
In my sleep I hear them pitter-patter close behind me
As I ride the avenues from block to block
Aboard my weatherbeaten oversized shoes.
How your brother looked at me
He handed me my two-hundred dollar typing fee.
I would not do, would not do, his eyes said.
For him or for you.
A prayer from Marilyn Knight
It was around this time of the year
It was around this time of the year when I last heard from you. It was before the year I took you for gone. I was waiting for weeks on end for the money you sent me, and I was thinking to myself, Where is my money? Is someone vacationing on my entrails because you are saving on remittance fee? Because you want me to meet family? As though your brother would see a Rimbaud if he saw me. But I actually don’t like remittance fees and bank charges. The heartlessness of it. Plus this what you call my left-wing bumper sticker politics. Then I also wanted to meet more of you.
Your brother was good to me. He looked me up and I said to myself, this is pain and didn’t smile up at him. Wished he just got a crush on me. More bearable than whatever it was you were capable of appraising me for. I took a taxi all the way from Mintal to your house because I had no money for jeepney, not even money for a box of matches. The day before, I volunteered to burn the leaves at the neighborhood plaza so that I could borrow a neighbor’s match, then I could make fire to boil water and make a broth of malunggay leaves seasoned with salt. What I survived on for the last two weeks. But your brother kept on forgetting about money I had to call eventually. We were so nice on the phone, he talking about picking the book on my way to work like I drove a car, and I saying sure he may leave them with his wife and to not bother with me he just fetch the kids at school. That clean. That pretty. So when I saw him, I said to him, So where’s the book and the money? He said, oh yes, the two hundred dollars! He went inside and came back with the book and an envelope that bore your bank’s name and handed them to me. I thanked him and said I got to scram my taxi’s waiting. He said Ingat kayo like I was one of your well-off friends. Very respectful good-looking bastard, I said to myself. Because his eyes went to my oversized rubber shoes as he said that and there was that crestfallen look about him. I slammed the poor bedraggled old screen door on his staringdown face. Or maybe I didn’t; maybe I just went out and the door just slammed itself on itself regardless of me. I didn’t know he was soon vacating that old house for that one in the plush village you invited us to later. Should be housing widows and aged spinsters, I said to myself as I waited for him to come out. But I wasn’t up for anyone, really. All I felt was fatigue, my body looking forward to a change. Rest and food maybe and a new perspective that should come with that. I told the taxi driver to take me to the money changer at Aldevinco. Then I went to a restaurant there where I ran into a friend dating a lawyer boyfriend. What happened to you, you look twenty years older! she said. First time she looked and sounded genuinely truthful with her description of me. First time also that she didn’t call me Manang, her putdown address when she wanted to beat me to a size.
I have been thinking about you. I know you were not vacationing on anyone’s entrails. All those travels home to bury your dead. I probably think more about your dead than mine, mainly because mine are too ugly to think about, how much more write about. I was told they are going to be bulldozed. Something to do with boundaries and taxes. Maybe they had been bulldozed already. I wouldn't know how to speak about these things to you, or to anyone else.
I had been thinking about America, too. How brutal it is. How the best way to go on with life there is to adapt to its cold callous side. I said that’s why you’re a real estate developer. The way for you to survive; a way to be at the top side of the heap. At first I was lost, appalled. Like, you have so much heart in you, don’t you, why that? I couldn’t reconcile so much goodness of heart with a name like Coldwell Banking. Makes me think of pretty girls in sun-dappled days which you are not. So I said to myself, the poet lives in a desert, silent beyond the bog, so a cold well must be a nice place to dwell in.
Wednesday, March 3, 2010
A Hunchback’s Pledge
And when I take this path
I want to be ever so much careful.
To break no twig;
To lift no stones;
To take nothing;
And eat nothing
That will change me.
To remember that I come unasked
And unwelcome.
That you are a foreign country
And stand among my enemies.
That before your staring eyes
I stand naked;
Unloved.
That if I bring no harm,
I may leave unharmed;
But that if you take my hand,
I will be done.
29 July 2008
Pagadian City
Tuesday, March 2, 2010
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